Narration/Use of
Voice
Assigned Listening:
Laurence
Grissel “WirelessNights: Overnight Delivery”
This
piece is a combination of fiction and nonfiction. Grissel narrates a plane ride
and flashes to scenes back down below him.
Snap
Judgment: Tonguesin Training (click on #4 Tongues in Training)
This
is a short personal narrative describing the experience of church from a young
boys perspective. This piece uses music and narration to create a rhythm.
Joe
Frank “Odd Jobs” (click on Odd
Jobs)
This
is a (we are assuming) fictional tale of one man’s experience working in a
slaughterhouse and a nuclear plant. He uses metaphor and music to create a very
specific mood.
This
is a short article about the technicalities of using voice in an expressive
way. If you are interested in this we highly recommend Marilyn Pittman’s Third
Coast Festival conference session: Talk the Copy (link under For More).
Things to think about:
Compare
the use of music in “Tongues in Training” and “Odd Jobs.” Does accomplish the
same thing? Do you think that one is more effective than the other?
Compare
the style of narration in “Tongues in Training” and “Odd Jobs.” How are they
similar and how are they different?
How
does narration in “Wireless Nights” differ from the other narration we’ve
heard? Do you think it is successful?
How does Laurence Grissell connect his narration to other sounds and recordings?
When
do you think it is appropriate to use an interview (Wireless Nights) and when
is it appropriate to narrate the dialogue of another character yourself
(Tongues in Training)? How have you addressed this problem in your own work and
did you think it was effective?
For more:
Scott Carrier essay (linked on ctools under Readings: That Jackie
Kennedy Moment)
A
workshop on how to write for the ear and different techniques for writing in
and out of tape. Has lots of good and different examples.
Marilyn
Pittman, Third
Coast Festival conference session: Talk the Copy
This
workshop is about how to make the most of your voice. How to sound natural and
how to make your voice sound as good as possible. A more in-depth version of "There's a Message in Your Voice".
Meredith
Monk “Book of Days”
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